The SE CE 24 pairs the traditional PRS Custom 24 combination of a maple top, mahogany back, and rosewood fretboard with a bolt-on maple neck. The added snap and response of bolt-on construction has been an essential part of guitar history from the beginning, and the CE’s voice and appointments carry that tradition forward with […]
The PRS SE Swamp Ash Special is a unique offering in the growing PRS SE Series. With a swamp ash body and 22-fret maple neck with maple fretboard, the SE Swamp Ash Special is a fresh face and versatile voice. The 85/15 “S” pickups flank a PRS-Designed AS-01 Single Coil “S” pickup in the middle […]
The PRS SE Custom 24 Quilt brings the original PRS to the more-accessible SE Series with the addition of a quilted maple top veneer and matching quilted maple headstock veneer. This model’s polished aesthetic gives the guitar stage-worthy style to go with its road-worthy reliability. With a 24-fret, 25” scale length, Wide Thin maple neck, […]
The S2 McCarty 594 Singlecut delivers vintage appointments with the precision of PRS’s modern manufacturing techniques and trusted craftsmanship. Whether you are looking for authentic humbucking tones or nuanced, sweet single-coil sounds, the S2 McCarty 594 Singlecut can seamlessly master both sonic territories thanks to its 58/15 LT “S” pickups and dual volume and push/pull […]
The S2 McCarty 594 is a versatile, vintage-inspired instrument that delivers both humbucking and single-coil tones in a modern, reliable package. Featuring a bound 22-fret Pattern Vintage neck and slightly thicker back for more sustain, the S2 McCarty 594 feels and sounds like a guitar you’ve been playing forever. A zinc two-piece bridge and vintage-style […]
The SE CE 24 pairs the traditional PRS Custom 24 combination of a maple top, mahogany back, and rosewood fretboard with a bolt-on maple neck. The added snap and response of bolt-on construction has been an essential part of guitar history from the beginning, and the CE’s voice and appointments carry that tradition forward with […]
